Keanu Reeves Age 2026: How Old Is Keanu Reeves Today?

Keanu Reeves is 62 years old in 2026. He was born Keanu Charles Reeves on September 2, 1964, in Beirut, Lebanon, and he turned 62 on September 2, 2026. That single number hides the more interesting story: Reeves has now spent more than forty years on screen, and he is still doing his own stunts, still headlining franchises, and still adding new projects at an age when most action stars have stepped back. This page answers the age question in full — his exact birth date and birthplace, how old he was at every career turning point, how his age compares with his peers, and what he is doing at 62 in 2026.

Reeves was 24 when Bill & Ted’s Excellent Adventure made him a star, 29 when Speed turned him into an action lead, 34 when The Matrix changed science fiction, and 50 when John Wick gave him the defining role of his second act. At 62 he has a new film in Outcome, a return as Duke Caboom in Toy Story 5, a new Dogstar album, and a fifth John Wick film in development — plus an animated John Wick prequel that Lionsgate greenlit in November 2026. His estimated net worth sits in the $380–400 million range, anchored by Celebrity Net Worth’s $400 million figure from its July 2026 update, with Parade printing $380 million in January 2026. The money section below breaks down where that fortune came from and why the published numbers differ.

Last updated: November 14, 2026 · By Celebamerica Editorial Staff

Keanu Reeves Quick Facts

How Old Is Keanu Reeves in 2026?

Keanu Reeves is 62 years old as of November 2026. The arithmetic is simple and it is the part most stale pages on the internet get wrong: he was born on September 2, 1964, so he spent the first eight months of 2026 as a 61-year-old and became 62 on his birthday in September. Any page that still calls him 61 was written before September 2, 2026, or was never updated. Britannica’s quick-facts page lists him as born September 2, 1964 (age 62), and TV Insider’s profile gives the same pair of facts — birth date September 2, 1964, age 62 — as do the birthday trackers that updated after his 2026 birthday.

He will turn 63 on September 2, 2027. His zodiac sign is Virgo, and his full name, Keanu Charles Reeves, comes from the Hawaiian word keanu, meaning “cool breeze over the mountains.” He was born in Beirut, Lebanon, where his mother was working, and he grew up mostly in Toronto, Canada, which is why he is usually described as a Canadian actor even though his birthplace sits on the other side of the world.

The age question follows Reeves around for a reason that has little to do with arithmetic. He does not look 62 in the way most people picture 62, and he does not behave like it either: he spent months training for John Wick: Chapter 4 in his late fifties, he still rides motorcycles, and in 2026 he stacked up a film release, a voice role in a Pixar sequel, a new album with his band Dogstar, and two more John Wick projects. The rest of this article puts that number in context, year by year, so the age stops being a trivia answer and starts making sense as a career.

Keanu Reeves Age by Year: Every Milestone

The fastest way to grasp a 62-year life is to walk it in order. The table below lines up his age with the year and the event, from birth to the present day. A few entries deserve a second look: he was 21 when his film career started, 24 at his first big break, 34 at the role that defined a generation, and 50 at the role that defined the second half of his career. Most actors get one of those turning points. Reeves got three, spaced almost exactly a decade apart.

Early Life: Born in Beirut, Raised in Toronto

Reeves was born in Beirut on September 2, 1964, to Samuel Nowlin Reeves Jr., an American geologist of Chinese-Hawaiian, English, Irish and Portuguese descent, and Patricia Taylor, an English costume designer and performer. The family did not stay in Lebanon long. After his parents separated — his father left when Keanu was about three — his mother moved the children through Sydney and New York before settling in Toronto, where Reeves spent most of his childhood. He has two sisters, Kim and Karina, and a half-sister, Emma, from his father’s side.

Toronto shaped him more than any other place. He went to several high schools, including the Etobicoke School of the Arts, from which he was expelled, and De La Salle College, and he left school at 17 to act. He has spoken about living with dyslexia, which made school a poor fit, and about playing ice hockey as a goalie — well enough that the nickname “The Wall” followed him from his school team. None of that pointed to a child star. Reeves came to acting sideways, through school plays and local theatre, and his first paid work was in Canadian television and commercials.

The family history also explains the reserve that has followed him ever since. His sister Kim fought leukaemia for about a decade, and Reeves spent years close to that fight. He rarely talks about his private life in interviews, and when he does it is usually to deflect attention back to the work. That habit — famous for being famous about not wanting to be famous — is part of why the internet spent years turning him into a meme (“Sad Keanu,” from a 2010 photograph of him eating a sandwich alone on a bench) and part of why the public warmed to him: the gap between his fame and his lifestyle is unusually wide.

Teenage Years and First Roles

Reeves was 15 when he started acting in school productions and 17 when he left high school to pursue it full time. His early credits were Canadian: stage work, a Coca-Cola commercial, and television, including the 1985 TV film Act of Vengeance. He was 20 when he started getting noticed, and 21 when his film career began in earnest with two very different 1986 releases — the hockey drama Youngblood, in which he played a goaltender, and the dark teen crime film River’s Edge, in which he played the moral centre of a group of teenagers covering up a murder. River’s Edge was the first sign that he could carry serious material; critics singled him out even in a cast of young unknowns.

The next two years were a fast climb. At 23 he appeared in Dangerous Liaisons (1988) alongside Glenn Close, John Malkovich and Michelle Pfeiffer, a prestige period drama that put him in front of adult audiences who had never seen a teen comedy. He was still only 24 when 1989 delivered the one-two punch that made him a star: Bill & Ted’s Excellent Adventure, the cheerful time-travel comedy in which he played Ted Logan, and Ron Howard’s Parenthood, where he held his own in an ensemble of established names. Bill & Ted could have typecast him forever as a sweet-natured slacker. It did not, mostly because Reeves kept choosing work that pulled in the opposite direction.

His Twenties: Bill & Ted, Point Break and Speed

Reeves spent his twenties refusing to sit still. At 26 he released two films in 1991 that could hardly have been more different: Point Break, Kathryn Bigelow’s sun-bleached action film in which he played FBI agent Johnny Utah infiltrating a gang of surfing bank robbers, and Gus Van Sant’s My Own Private Idaho, in which he played a wealthy young hustler opposite River Phoenix. The pairing told Hollywood everything it needed to know about his range — he could carry a studio action film and an art-house drama in the same year, and he seemed to enjoy the whiplash.

He was 28 when he played Jonathan Harker in Francis Ford Coppola’s Bram Stoker’s Dracula (1992), a film that made money but left critics divided over his English accent, and 29 when he played Benedick in Kenneth Branagh’s Much Ado About Nothing (1993). Then came the role that reset his career at 29: Speed (1994), in which he played LAPD officer Jack Traven on a bus that could not slow below 50 miles per hour. The film earned more than $350 million worldwide and turned Reeves, almost overnight, from a promising young actor into a bankable action lead. His co-star was Sandra Bullock, then 29 herself, and their easy chemistry became one of the film’s selling points — the two reunited twelve years later in The Lake House, and their friendship has been a running thread in interviews ever since. Bullock’s own fortune is covered in our profile of Sandra Bullock’s net worth, and the two of them remain the rare action pairing whose off-screen friendship outlasted the franchise.

The Speed payday gave Reeves something most 29-year-olds never get: the freedom to say no. He famously turned down a large offer for Speed 2: Cruise Control and instead toured with his band Dogstar and played Hamlet on stage in Winnipeg. It was the first of many decisions that made no sense on a spreadsheet and perfect sense as a life — a pattern that would repeat at every age that follows. He was 30 when he starred in A Walk in the Clouds (1995), 31 for Chain Reaction (1996), and 32 for Feeling Minnesota (1996), none of which matched Speed‘s box office. The press started writing him off. That has happened to Reeves more than once, and it has been wrong every time.

His Thirties: The Matrix Changes Everything

Reeves was 33 when he took the role of Kevin Lomax in The Devil’s Advocate (1997), playing opposite Al Pacino and Charlize Theron. He reportedly took a pay cut so the production could afford Pacino — another of those choices that reads as either selfless or commercially odd, depending on who is telling the story. Either way, the film was a hit, and it put him back in the frame for the biggest decision of his career.

He was 34 when The Matrix was released in March 1999. The Wachowskis’ film — part cyberpunk, part philosophy seminar, part martial-arts spectacle — earned more than $463 million worldwide and changed what a science-fiction film could look like. Reeves played Neo, a hacker who discovers his reality is a simulation, and he spent months training in martial arts for the part, doing much of his own fight work. The money followed: ABC News reported he received $10 million upfront for the first film, and Celebrity Net Worth puts his total compensation from the original trilogy at roughly $250 million once the back-end profit participation is counted — about $15 million in base salary for each sequel plus a share of the profits. The two sequels, The Matrix Reloaded and The Matrix Revolutions, arrived in 2003, when he was 38 and 39, and together they pushed the franchise past $1.6 billion at the worldwide box office.

The same years carried the heaviest personal losses of his life. His sister Kim’s long battle with leukaemia stretched across this period, and on Christmas Eve 1999 his daughter Ava, with his then-partner Jennifer Syme, was stillborn eight months into the pregnancy. Syme died in a car crash in April 2001. Reeves has almost never discussed those years in public beyond a few spare sentences, and this article will not dress them up as a narrative device: they are part of why the man who emerged from his thirties seemed older than his age, and quieter than his fame. He was 35 when The Replacements (2000) came out, 37 for Sweet November (2001), and 39 by the time the Matrix trilogy closed. The fortune was made. The person who made it had been through more than most people manage in a lifetime.

His Forties: The Quiet Decade

Reeves turned 40 in 2004, and the decade that followed is usually described as his fallow period — which says more about Hollywood’s memory than about his work rate. He was 40 when Constantine (2005) came out, a comic-book adaptation that underperformed on release and then built a loyal following on home video, and 41 when he reunited with Sandra Bullock in The Lake House (2006), a gentle romance that did steady business. At 44 he made two 2008 releases, Street Kings and The Day the Earth Stood Still, the latter a remake that earned more than $230 million worldwide despite poor reviews.

What he did not do in his forties was chase the spotlight. He took smaller films — Henry’s Crime (2010), Generation Um… (2012) — and at 47 he co-founded ARCH Motorcycle Company with master builder Gard Hollinger, turning a private passion for bikes into a real business. At 49 he directed his first film, the martial-arts drama Man of Tai Chi (2013), and starred in the big-budget samurai film 47 Ronin (2013), which lost money and was widely written up as a flop. By the end of 2013, at 49 years old, the conventional wisdom in Hollywood was that Keanu Reeves was finished as a leading man. He was one year away from proving that wrong in the most dramatic way possible.

His Fifties: John Wick and the Second Act

Reeves was 50 when John Wick was released in October 2014. The film was a modestly budgeted action movie about a retired hitman drawn back into the underworld after the death of his wife and the killing of his dog, and almost nobody expected it to matter. It earned a little under $90 million worldwide — respectable, not spectacular — but its word of mouth was extraordinary, and its fight choreography, built around Reeves’s months of gun and judo training, set a new bar for the genre. The sequels grew with each release: John Wick: Chapter 2 in 2017, when he was 52; John Wick: Chapter 3 — Parabellum in 2019, when he was 54; and John Wick: Chapter 4 in 2023, when he was 58, which earned more than $440 million worldwide and pushed the franchise past $1 billion in total.

The fifties also gave Reeves a second, stranger kind of fame. In 2019, at 54, he voiced Duke Caboom in Pixar’s Toy Story 4, a Canadian stuntman toy whose delusions of grandeur stole the film, and he went public with his relationship with the artist Alexandra Grant at the LACMA Art + Film Gala in November 2019 — the first time in decades he had walked a red carpet holding a partner’s hand. At 55 he returned as Ted Logan in Bill & Ted Face the Music (2020), closing a circle that had opened when he was 24. At 57 he returned as Neo in The Matrix Resurrections (2021) and launched the BRZRKR comic series, which became a publishing success. At 58 he was still doing the training camps — months of judo, jiu-jitsu and firearms work — that most actors half his age would refuse. The lesson of his fifties is simple: the career did not come back by accident. It came back because he kept training, kept choosing directors who trusted him with long takes, and kept showing up.

His height has been part of the action-star package all along. He stands 6 ft 1 in (185 cm), with IMDb listing him a quarter-inch taller at 6 ft 1¼ in — a figure that has barely moved across four decades of listings, which is rarer than it sounds for a celebrity. Our sister site Guide Net Worth examined the listings in detail in its profile of Keanu Reeves’s height, including the 6 ft 0 in figure that traces back to his own offhand “six even” remark and the unsourced 6 ft 2 in figure that appears on low-quality pages.

Keanu Reeves at 62: What He Did in 2026

Most actors slow down at 62. Reeves did the opposite. He began 2026 at 61 and spent the year stacking up work across film, voice acting and music. In April 2026, at 61, he starred as Reef in Jonah Hill’s dark comedy Outcome, which premiered in New York on April 6, 2026, with Reeves and Alexandra Grant on the red carpet together. In May 2026 his band Dogstar released the album All In Now, continuing a reunion that began with their 2023 comeback album. In June 2026, still 61, he returned as the voice of Duke Caboom in Pixar’s Toy Story 5, released June 19, 2026.

Then came his 62nd birthday on September 2, 2026, and the autumn brought the biggest news of his year. In October 2026, at 62, he signed on for Maelstrom, a new action picture from director Jaume Collet-Serra that was described as “John Wick meets Twister.” And on November 5, 2026, Lionsgate confirmed it had greenlit an animated John Wick prequel film, with the 62-year-old Reeves signed on to reprise the role as the voice of the younger hitman — a project that had been in development for some time and was confirmed publicly in the first week of November 2026. A fifth live-action John Wick film remains in development, and Reeves is attached to further projects including Sonic the Hedgehog 4 and the film adaptation of his own BRZRKR comic. At an age when most of his contemporaries are playing mentors and grandfathers, he is still the lead, still training, and still the name on the poster.

How Old Was Keanu Reeves in Each Famous Role?

This is the question people actually type after the headline one, so here it is in one place. Ages are counted at the film’s release year, which is how audiences remember them; filming usually ran a year earlier, so Reeves was often a year younger on set than the number below.

Two numbers in that table do more work than the rest. He was 50 when John Wick arrived — the age at which action careers are supposed to end — and 58 when the fourth film became the biggest hit of the series. The franchise did not succeed despite his age. It succeeded, in part, because of it: a 58-year-old hitman who has lost everything reads differently from a 28-year-old one, and the films lean into that weariness rather than hiding it.

Net Worth at 62: Where the Money Came From

An age profile is not a net-worth profile, but the two questions travel together, and the honest answer here is a range, not a single number. Keanu Reeves’s estimated net worth in 2026 is $380–400 million. Celebrity Net Worth lists $400 million after its July 2026 update, and Parade printed $380 million in January 2026. The $20 million gap is the difference between a figure updated in July and one updated in January — not a disagreement about the facts. Older $360 million figures still floating around the internet trace back to earlier snapshots of the same estimate, and the $500 million figures on some low-quality pages have no named source behind them at all. Forbes has never published a confirmed figure for him. The full money story, with the source-by-source breakdown, is in the net-worth profile on our sister site NetWorthCraft: Keanu Reeves’s net worth.

The fortune rests on two franchises and almost nothing else, which is what makes it unusual for a star of his size. The Matrix trilogy is the bigger of the two. ABC News reported that he received $10 million upfront for the first film, and Celebrity Net Worth puts his total compensation from the original trilogy at roughly $250 million once his back-end profit participation is counted — about $15 million in base salary for each of the two sequels plus a share of the profits. No other single deal in his career comes close. The John Wick franchise is the second pillar: multiple media reports put his base salary for John Wick: Chapter 4 at about $15 million, though that figure has never been officially confirmed, and the four films together have earned more than $1 billion worldwide.

Everything else is smaller but real. He has earned steady acting fees across four decades of work, from the Bill & Ted films to Speed, Constantine, Toy Story 4 and Outcome. He co-founded the production company Company Films, which has produced several of his projects. His publishing work — the BRZRKR comic series and the novel The Book of Elsewhere — adds a separate income stream that most actors his age do not have. And ARCH Motorcycle Company, the bike business he co-founded in 2011, sells hand-built machines starting at roughly $85,000 each, though the company builds only a few dozen bikes a year and is a passion business rather than a fortune-maker.

What makes the total hard to pin down is not the income — that is well reported — but what he kept. Reeves is famous for giving money away: he has spoken about sharing his Matrix earnings with crew members and supporting cancer research, and the sums involved were never confirmed publicly, so no outside estimate can account for them precisely. He also lives far below his means for a man worth hundreds of millions — no entourage, no fleet of supercars, a long-time home in the Hollywood Hills rather than a portfolio of mansions. A fortune built slowly, spent quietly and given away generously is exactly the kind of fortune that resists a single neat number, which is why the range is the honest answer.

Beyond Acting: Motorcycles, Music and Books

Reeves at 62 is not only an actor. He is a motorcycle manufacturer, a bassist in a working rock band, and a published author — three second careers that most stars never attempt once.

ARCH Motorcycle Company is the most substantial of the three. Reeves co-founded it in 2011 with master builder Gard Hollinger, after asking Hollinger to customise a Harley-Davidson for him in 2007 and discovering they worked well together. The company builds hand-made, made-to-order motorcycles in California — the KRGT-1, its first production model, launched in 2014, followed by the 1s and the limited-run Method 143 — with prices starting at roughly $85,000 and rising well past $100,000 for the top models. Production runs to only a few dozen bikes a year. Reeves tests the prototypes himself, and the company launched a race team in 2025. It is a small business by any measure, but it is a real one, and it is the clearest proof that his interest in motorcycles is not a hobby he talks about in interviews — it is a company he helped build.

Dogstar is the oldest of his side projects. He formed the alternative rock band in 1991, playing bass, and the group toured and recorded through the nineties before going quiet. The band reunited in the 2020s, releasing the album Somewhere Between the Power Lines and Palm Trees in 2023 and following it with All In Now in May 2026, when Reeves was 61. The band plays real shows to real crowds, and the reunion is not a nostalgia exercise: the new records are new songs, recorded by a band that happens to contain a movie star rather than a movie star’s vanity project.

The books came later and sold better than anyone expected. Ode to Happiness (2011), a slim illustrated book with artwork by Alexandra Grant, was the start of a creative partnership that later became a romance. Shadows followed in 2016. Then came BRZRKR, a comic-book series launched in 2021 about an immortal warrior, which became one of the best-selling creator-owned comics of recent years and is now being adapted for film. In 2024 Reeves published his first novel, The Book of Elsewhere, written with the author China Miéville. A 62-year-old action star publishing a literary novel with one of speculative fiction’s most respected names is not the career move anyone predicted for Ted Logan. That is rather the point.

Personal Life: Alexandra Grant and the Years That Shaped Him

Reeves has been in a relationship with the visual artist Alexandra Grant since 2019, when the pair went public at the LACMA Art + Film Gala in November of that year, walking the red carpet holding hands. They had known each other for a decade by then, having met at a dinner party in 2009 and collaborated on his books Ode to Happiness and Shadows, with Grant providing the illustrations. Grant was born on April 4, 1973, which makes her 53 in 2026 — about eight and a half years younger than Reeves. The couple are not married, despite periodic rumours to the contrary, and Grant has said publicly that mutual respect and creative support are what hold the relationship together. They were photographed together again at the Outcome premiere in April 2026 and at the MOCA Gala in Los Angeles in 2026.

The relationship matters to this profile because it is the first one Reeves has acknowledged publicly in decades, and because it followed the hardest stretch of his life. His daughter Ava, with his then-partner Jennifer Syme, was stillborn on Christmas Eve 1999. Syme died in a car crash in April 2001, at 28. Reeves has no living children. His sister Kim’s decade-long fight with leukaemia ran through the same years. He has spoken about those losses only in the sparest terms — in one widely quoted interview he said grief “changes shape” but never fully leaves — and he has spent the years since building a life that is deliberately small and private: a home in the Hollywood Hills, long motorcycle rides, work with friends, and a partner who knew him as a writer before she knew him as a movie star.

He has never married. He has no social media accounts. He is regularly photographed riding the subway, eating alone on a bench, or giving up his seat on public transport — the small, unguarded moments that turned him into an internet folk hero in the first place. At 62, the private life looks settled in a way it did not at 42, and that steadiness shows in the work: the recent performances are looser, funnier and more relaxed than the guarded ones of his forties.

Why Does Keanu Reeves Look Younger Than 62?

It is the second most-asked question about him, after the age itself, and the answer is less mysterious than the memes suggest. Part of it is genetics and part of it is discipline. Reeves has kept the same lean build for forty years, he does not drink heavily or smoke in public, and he trains for months at a time for the John Wick films — judo, jiu-jitsu, firearms drills and stunt choreography that keep him in the kind of shape most 62-year-olds never attempt. His hair is still long and dark, now touched with grey, and his beard — salt-and-pepper since his fifties — suits him better than the clean-shaven look of his thirties did.

Part of it is also the way he dresses and carries himself: black clothes, simple lines, no visible effort. And part of it is the camera. Film lighting is kind to a man who has never chased cosmetic procedures, and Reeves has never appeared to chase them. There is no confirmed record of plastic surgery, and this article will not speculate about it — the honest statement is that he looks younger than his age because he is fit, he has good genes, and he has spent four decades being photographed by professionals. The internet’s running joke that he is immortal — fuelled by a 19th-century photograph of a man who resembles him — is a joke, and it should stay one.

What is not a joke is the physical cost. The John Wick training camps are genuinely hard on a body in its late fifties, and Reeves has spoken about the recovery time getting longer with each film. The animated John Wick prequel greenlit in November 2026 is, in that light, a sensible move: it keeps him in the franchise without asking a 62-year-old body to do another four-month stunt camp. If John Wick 5 goes ahead as a live-action film, expect the training to be the story as much as the plot.

Keanu Reeves vs His Peers: Who Is Older?

Age only means something in comparison, and Reeves’s generation of leading men is still working at full tilt. The table below lines him up against the peers he is most often compared with — the action stars, the former teen idols and the co-stars who shared his biggest films. All ages are as of November 2026.

The comparisons sharpen the picture. Tom Cruise, at 64, is two years older than Reeves and still hanging off aeroplanes — the two of them are the last working action leads of their generation who do their own stunts. Brad Pitt, born three months before Reeves, is effectively the same age and still headlining major films. Sandra Bullock, his Speed co-star, was born five weeks earlier, in July 1964, and the two of them have now been friends for more than thirty years. Readers who want the same treatment for his peers can find our age profiles of Tom Cruise’s age, Brad Pitt’s age and Leonardo DiCaprio’s age, and the money side of the same generation in our profiles of Will Smith’s net worth and Sandra Bullock’s net worth. For the wider picture, our celebrity profiles cover the same generation of stars in the same format.

Frequently Asked Questions

Sources & Reporting

Birth date and birthplace (September 2, 1964, Beirut) and the age of 62 in 2026 are confirmed by Britannica, TV Insider, Filmibeat and multiple birthday trackers updated after September 2026. Height (6 ft 1 in, IMDb 6 ft 1¼ in) is confirmed by IMDb, CelebHeights and our sister site’s height profile. Net worth figures are Celebrity Net Worth ($400 million, July 2026 update) and Parade ($380 million, January 2026); Alux’s $420 million figure (October 2026) is noted as an outlier, and Forbes has published no confirmed figure. Matrix salary details ($10 million upfront for the first film, about $15 million per sequel, roughly $250 million total) are reported by ABC News and Celebrity Net Worth. The John Wick: Chapter 4 salary of about $15 million is reported by multiple media outlets and is not officially confirmed. The 2026 milestones — Outcome (April 2026), Dogstar’s All In Now (May 2026), Toy Story 5 (June 19, 2026), the Maelstrom signing (October 2026) and the animated John Wick prequel greenlight (November 5, 2026) — are reported by Just Jared, Yardbarker, CBR and trade coverage of the period. ARCH Motorcycle Company details (founded 2011 with Gard Hollinger, KRGT-1 launched 2014, prices from roughly $85,000) are confirmed by the company’s own history and trade coverage. Relationship details (Alexandra Grant, met 2009, public November 2019, born April 4, 1973) and the losses of Ava (stillborn December 1999) and Jennifer Syme (April 2001) are reported by People, The Guardian, E! News and contemporary press coverage.

How we estimated: the net worth figure in this article is an estimate, not a bank balance. It is anchored to named sources with dates — Celebrity Net Worth ($400 million, July 2026) and Parade ($380 million, January 2026) — and published as the range the two together support. Where sources disagree, the range is shown rather than a single figure, and where a figure could not be confirmed (the John Wick: Chapter 4 salary, the sums Reeves gave away from his Matrix earnings), that is stated in the text. Private finances are never fully visible from outside, so any published net worth figure should be read as an informed estimate, not a fact. Sources hyperlinked in this article point to the outlets’ homepages and to the sister-site profiles named in the text; no URL was included that could not be verified.

Sources: Britannica · IMDb · Celebrity Net Worth · Parade · People · The Guardian · Variety · Deadline · Just Jared