Aamir Khan Net Worth 2026: The $220M Perfectionist Fortune

Aamir Khan’s net worth in 2026 is estimated at $220 million (about ₹1,862 crore), according to Alux’s October 2026 valuation, with published estimates ranging from $210 million to $235 million (₹1,750–1,950 crore). The man Bollywood calls “Mr. Perfectionist” built that fortune less by volume than by patience: one film at a time, most of them hits, and a profit-sharing deal structure almost no other Indian star has matched. He does not take the biggest upfront fee in the industry. He takes a share of the profits instead — and when a film like Dangal grosses more than ₹2,000 crore worldwide, that share turns into a payday no fixed salary could touch.

As of November 2026, Khan is 61, newly married to entrepreneur Gauri Spratt, and coming off a genuine box-office comeback. His 2025 film Sitaare Zameen Par grossed around ₹268 crore worldwide and became his biggest hit since Dangal, according to Pinkvilla’s box-office tracking. The fortune behind him rests on three pillars: the profit-linked film deals, Aamir Khan Productions — the company he founded in 1999 — and a property portfolio centred on Pali Hill in Bandra, Mumbai. This article works through each one, with the numbers tied to the outlets that published them, and says plainly where those outlets disagree.

Aamir Khan Net Worth 2026: Quick Facts

Early Life and Family Background

Aamir Khan was born Mohammed Aamir Hussain Khan on March 14, 1965, in Mumbai, into a family that had already been making Hindi films for a generation. His father, Tahir Hussain, was a film producer. His uncle, Nasir Hussain, was one of the most successful filmmaker-producers of his era, the man behind films such as Teesri Manzil and Yaadon Ki Baaraat. His cousin Mansoor Khan would later direct him. The boy who grew up around film sets was not pushed onto them; if anything, the family expected him to stay behind the camera or outside the business altogether.

He went to school at St. Anne’s High School in Bandra and Bombay Scottish School in Mahim, then enrolled at Narsee Monjee College in Mumbai. He left before finishing his degree, drawn to the stage and to tennis — he played state-level tennis as a young man — and to the small theatre world of Mumbai, where he acted with the amateur group Avantar. His first screen appearance was a tiny one: he played the younger version of Tariq’s character in Yaadon Ki Baaraat (1973), a film produced by his uncle. It was a family favour, not a launch.

The launch came fifteen years later. Qayamat Se Qayamat Tak, released in April 1988 and directed by Mansoor Khan, cast the 23-year-old Aamir opposite newcomer Juhi Chawla in a modern retelling of the Romeo-and-Juliet story. The film was a runaway hit and won him the Filmfare Award for Best Male Debut. The industry noticed something specific about him from the start: he chose scripts carefully, worked slowly, and treated a film’s story as the star rather than himself. That instinct — one film at a time, chosen well — would shape both his career and his bank balance for the next four decades.

Money was not the point in those early years, and it showed in the way he worked. Through the late 1980s and 1990s he built a run of commercial successes — Dil (1990), Jo Jeeta Wohi Sikandar (1992), Hum Hain Rahi Pyar Ke (1993), Andaz Apna Apna (1994), Rangeela (1995), Raja Hindustani (1996), Sarfarosh (1999) — while turning down far more than he accepted. Raja Hindustani was the highest-grossing Hindi film of 1996. By the end of the decade he was one of the three Khans who ruled Bollywood, alongside Shah Rukh Khan and Salman Khan, but the one most likely to disappear for a year or two between films. The absences were deliberate. He has said in interviews that he needs time to live with a script before he commits to it, and that a film which does not excite him is not worth his year. In an industry that pays stars per film, that patience looked like leaving money on the table. It turned out to be the thing that made his money.

From Qayamat Se Qayamat Tak to Bollywood’s Most Trusted Name

The turn from star to institution happened in 2001, when Aamir set up Aamir Khan Productions and produced Lagaan, Ashutosh Gowariker’s cricket drama set in colonial India. The film was nominated for the Academy Award for Best Foreign Language Film — only the third Indian film ever to reach that shortlist — and it changed how the industry saw him. He was no longer just an actor who picked good scripts. He was a producer willing to bet his own money on a three-and-a-half-hour period film about cricket and taxes, in a year when nobody else would have touched it.

What followed was a run of films that reads like a list of the most consequential Hindi movies of the century. Dil Chahta Hai (2001) reset how urban Indian friendship looked on screen. Rang De Basanti (2006) became a generational touchstone. Taare Zameen Par (2007), his directorial debut, took on dyslexia and the pressure Indian schools put on children, and won the National Film Award for Best Film on Family Welfare. Ghajini (2008) became the first Hindi film to net ₹100 crore in India, creating the “100-crore club” benchmark the trade still uses. 3 Idiots (2009) became the highest-grossing Indian film of its time. PK (2014) went further, and Dangal (2016) went further still.

Television added a different kind of reach. Satyamev Jayate, the talk show he hosted on Star Plus from 2012, took up female foeticide, child sexual abuse, medical malpractice and water scarcity on Sunday-morning television — subjects no mainstream star had carried into Indian living rooms before. The show ran three seasons, drew enormous audiences, and was cited in Parliament debates. It also fixed his public image in a way no film could: the perfectionist actor became, for a large part of the country, a conscience. That image is worth money in ways that never show up in a fee — it is why his name still opens doors with studios, streamers and brands, and why his films still get the benefit of the doubt from audiences on opening weekend.

The honours caught up with the work. He received the Padma Shri in 2003 and the Padma Bhushan in 2010, two of India’s highest civilian awards. He has won National Film Awards as an actor and as a producer, and a shelf of Filmfare Awards. He has also declined some of the industry’s most common rewards — he does not attend most award shows — which only sharpened the sense that he operates by his own rules. Those rules, applied to money, are the subject of the next section, and they are the reason his net worth looks the way it does.

The Profit-Sharing Model That Built the Fortune

The single most important fact about Aamir Khan’s money is that he mostly stopped charging a fixed fee years ago. Instead, he takes a share of a film’s profits — reported at 50 to 75 percent depending on the project, with several Indian outlets reporting that he claims around 70 percent on his own productions. The trade press has reported his per-film fee, when he does take one, at roughly ₹100–150 crore. But the profit share is where the real money sits, and it explains why his net worth cannot be read off a fee chart the way a salaried star’s can.

The logic is simple and it cuts both ways. On a hit, he earns far more than any fixed salary would have paid. On a flop, he earns far less — sometimes close to nothing beyond costs. That is the deal he has chosen, and it is why his filmography is so selective: he can only afford the model if almost everything he makes works. The record shows it mostly has. 3 Idiots, PK and Dangal each reset the all-time box-office record when they released. When a star takes 70 percent of the profits on films of that size, the compounding effect across two decades is enormous.

It also explains the long gaps between his films. A profit-share actor cannot afford to spend a year on a script he does not believe in, because his pay depends on the audience believing in it too. The model ties his income to the quality of the work in a direct way, and it has made him the most trusted name in the business for producers and distributors: when Aamir Khan signs a film, the trade treats it as a signal that the script has been through the most demanding filter in Bollywood.

There is a second, quieter part of the model. Because he produces most of his own films through Aamir Khan Productions, the profit share and the producer’s share often flow to the same place. He is, in effect, his own studio. The company owns the film library, the remake rights and the long tail of satellite and streaming revenue. A film like Lagaan or Taare Zameen Par still earns money a quarter-century later, every time it is licensed, re-released or streamed. That library value is a large part of what the net-worth estimates are trying to capture — and a large part of why those estimates disagree, since a private company’s library has no public share price to check against.

Where the Money Comes From in 2026

Alux’s October 2026 profile puts Khan’s annual income at around $15 million a year, drawn from film fees, profit shares and his production company. That is a useful anchor, but the shape of the income matters more than the number. Here is how the streams break down.

Film fees and profit shares. This is still the engine. His reported per-film fee sits near ₹100–150 crore, and the profit share on a hit can multiply that several times over. The catch is timing: he makes roughly one film every two or three years, so the money arrives in large, uneven waves rather than a steady salary. Sitaare Zameen Par in 2025 was his first starring release since Laal Singh Chaddha in 2022, a three-year gap in which his acting income was close to zero and the production company carried the weight.

Production company revenue. Aamir Khan Productions earns as a producer on its own films and on films it backs for other directors, taking producer fees, a share of theatrical revenue, and the long tail of satellite, streaming and music rights. Industry analysts cited in 2026 reporting estimate the company’s value, including its film library and brand, at well over $100 million. The library includes Lagaan, Taare Zameen Par, Jaane Tu… Ya Jaane Na, Peepli Live, Dhobi Ghat, Talaash, Dangal and Secret Superstar — films that keep earning every time they are licensed.

Distribution and digital rights. The way films reach audiences changed while Khan was away from the screen, and he moved with it. For Sitaare Zameen Par, he held the film back from streaming platforms for months and then released it on YouTube as a pay-per-view title at ₹100 in India in August 2025, a direct-to-audience experiment that cut out the middleman. Trade reporting put the film’s non-theatrical recoveries at roughly ₹50 crore before digital rights were counted, and Pinkvilla’s analysis noted that the film’s digital rights, if sold, would add to his remuneration from the project. The SonyLIV streaming debut followed in April 2026. It was a small experiment with a large signal: he is testing whether a star of his size can sell directly to the audience.

Endorsements. Khan endorses far fewer brands than his peers, and that scarcity is itself the point. When he does sign, the reported rate is steep — around $1.5 to $2 million per day of shooting, according to 2026 reporting — because a brand is buying a face that almost never appears in advertising. His best-known long-running association has been with Titan watches, and he has fronted campaigns for Coca-Cola, Samsung, Tata Sky and Snapdeal over the years. But endorsements are a minor stream next to films, by design. He has turned down far more deals than he has taken.

Real estate and investments. Property is the quiet compounder. His Bandra portfolio — the sea-facing Pali Hill home, flats in the Virgo Cooperative Housing Society, and commercial units in Santacruz reported at around ₹35 crore — has appreciated with Mumbai’s prime residential market for decades. Reports also credit him with a Beverly Hills home valued near ₹75 crore and a Panchgani farmhouse. He has also been reported as an investor in Furlenco, the Bengaluru furniture-rental company. These are not the engine of the fortune, but they are the ballast: assets that hold value in years when no film releases.

Dangal and the Box Office Records That Changed the Math

No single film explains Aamir Khan’s fortune better than Dangal. Released in December 2016 and directed by Nitesh Tiwari, the wrestling drama cast Khan as Mahavir Singh Phogat, the former wrestler who trained his daughters Geeta and Babita to become champions. The film grossed about ₹2,070 crore worldwide, according to Sacnilk’s tracking, making it the highest-grossing Indian film of all time — a record it still holds. Roughly three-quarters of that money came from outside India, and most of that from China, where the film’s story of a father’s belief in his daughters struck a chord no Indian film had struck before.

The China result is the part that changed the math for everyone. Dangal earned more than ₹1,500 crore overseas, a figure no Hindi film had approached, and it did so in a market that had barely registered Indian cinema before. For Khan, the profit-sharing model meant the windfall flowed to him in a way a fixed fee never would have. It also reset his negotiating position for every film after it: he was now the star whose last film had made more money than any Indian film in history.

The record book around him is worth laying out, because it shows the pattern rather than the one-off. Ghajini (2008) was the first Hindi film to net ₹100 crore in India. 3 Idiots (2009) became the highest-grossing Indian film of its time and stayed in that conversation for years. PK (2014) took the record again. Dangal (2016) took it once more and has kept it. Four films, four records, across eight years — and each one under the profit-sharing model. That is the compounding story in a single paragraph: he did not just make hit films, he made the biggest film of its era four times running, and he owned a share of each one.

The other side of the record is that it set a bar he has struggled to reach since. Thugs of Hindostan (2018) was a costly flop. Laal Singh Chaddha (2022), his remake of Forrest Gump, underperformed badly and drew organised boycott calls. He took a long break after it, and the break cost him three years of acting income. The comeback film, Sitaare Zameen Par, is covered below — but the point here is that the profit-sharing model makes the bad years genuinely bad. His net worth in 2026 is a fortune built on peaks, with valleys in between, and the estimates reflect that uneven history.

Aamir Khan Productions: His Most Valuable Asset

Ask what single asset is worth the most in Aamir Khan’s portfolio, and most analysts point to the same answer: Aamir Khan Productions. He founded the company in 1999, and its first film, Lagaan (2001), was nominated for an Academy Award. Industry analysts cited in 2026 reporting value the company, including its film library and brand, at well over $100 million, making it his single most valuable asset.

The company’s record is a study in taste. Taare Zameen Par (2007) took on childhood dyslexia. Jaane Tu… Ya Jaane Na (2008) launched his nephew Imran Khan. Peepli Live (2010) satirised farmer suicides and the media circus around them. Dhobi Ghat (2011) was a quiet, art-house portrait of Mumbai. Talaash (2012) was a moody police drama. Dangal (2016) became the biggest Indian film ever. Secret Superstar (2017) launched Zaira Wasim and became a major hit in China. Laal Singh Chaddha (2022) and Sitaare Zameen Par (2025) followed. The through-line is a willingness to back subjects other producers would call uncommercial, and to give new directors a chance — R.S. Prasanna directed Sitaare Zameen Par under the banner, and Anusha Rizvi directed Peepli Live.

The business logic of owning the banner is straightforward. A star who only acts sells his time. A star who produces owns the asset: the film, its rights, its remakes, its streaming revenue, forever. When Dangal earned its China windfall, the producer’s share and the star’s share went to the same man. When Lagaan is licensed to a streamer in 2026, the cheque goes to the company he owns. That is why the net-worth estimates lean so heavily on the company’s valuation, and why they vary: a private library has no market price, so every estimate is a judgement call about what those films are worth.

There is also a cost to the model. When a film under the banner fails, the loss is his too. Thugs of Hindostan was not an Aamir Khan Productions film — it was a Yash Raj Films production — but Laal Singh Chaddha was, and its failure landed on his balance sheet as a producer as well as his reputation as a star. The company’s value is real, but it moves with the box office, and the last few years have shown both directions of that movement.

Sitaare Zameen Par and the 2025 Comeback

After three years away from the screen, Aamir Khan returned on June 20, 2025, with Sitaare Zameen Par, a sports drama directed by R.S. Prasanna and co-starring Genelia Deshmukh. He played Gulshan Arora, a basketball coach sentenced to community service who ends up training a team of players with intellectual disabilities. The film was a spiritual successor to Taare Zameen Par and an official adaptation of the Spanish film Champions (2018).

The box office told a comeback story. Pinkvilla’s lifetime tracking put the film’s worldwide gross at about ₹268 crore, with roughly ₹199 crore gross in India and around $8 million from international markets, on a reported budget of about ₹120 crore including remake rights and promotion. Trade tracker Sacnilk put the worldwide figure at about ₹267.5 crore. Either way, it became his highest-grossing film since Dangal — a modest number next to the record, but a real one after a three-year absence and a high-profile flop. Pinkvilla’s verdict was a hit, and the film’s profitability was helped by the non-theatrical side: roughly ₹50 crore in non-theatrical recoveries before digital rights, with the YouTube pay-per-view release in August 2025 adding a direct-to-audience stream at ₹100 a view in India.

The comeback matters to the net worth for a practical reason: it restarts the engine. A profit-share star earns when films release, and three silent years meant three years of costs without acting income. Sitaare Zameen Par put him back in the market, and its Japan release — announced by distributor Geek Pictures in September 2026 for spring 2027 under the title Sitaare! The Miracle Team of Stardust — extends the film’s earning life into a market where his name still carries weight from Dangal. He is, by the trade’s account, developing his next projects now, and the market is watching what the perfectionist chooses next.

Houses and Property: Bandra, Panchgani and Beyond

Aamir Khan’s property story is centred on one neighbourhood: Pali Hill in Bandra West, Mumbai, near Mehboob Studios. His longtime home, a sea-facing apartment at Hill View Apartments, is a 5,000-square-foot duplex spread over two floors, designed by Anuradha Parikh, and reported to be worth around ₹60–65 crore. As of 2026, the building is undergoing redevelopment, and he has shifted to another apartment nearby while the work goes on. The redevelopment is a project in itself: reports describe him holding around a dozen apartments in the Virgo Cooperative Housing Society in Pali Hill as a long-term redevelopment investment.

The wider Mumbai footprint is broad. Reporting credits him with two flats in Marina Apartments and one in Bella Vista, also in Pali Hill, and four commercial office units in Santacruz reported to be worth around ₹35 crore. In 2025 he leased out four units at Wilnomona Apartments in Pali Hill at a reported ₹24.5 lakh a month on a five-year lease running to 2030 — a reminder that some of the portfolio earns rent while the rest earns appreciation. His Panchgani farmhouse, bought in 2013 on about two acres in the Mahabaleshwar hills, is reported at ₹7 crore at purchase and ₹15 crore in later reporting; the spread between those figures says more about how loosely celebrity property is valued than about the house itself, so treat the range as reported, not settled.

Outside India, reporting credits him with a Beverly Hills home valued near ₹75 crore, and older reporting mentions 22 houses in Shahabad, Uttar Pradesh, reported at around ₹30 crore in total. Those two claims come from weaker sources than the Bandra reporting, and they should be read as reported rather than confirmed. The honest summary is that property is a meaningful but secondary part of the fortune: the Bandra holdings are well documented and valuable, the rest is reported with wide ranges, and none of it is the reason the net worth sits above $200 million. The films are.

Cars and Luxury Assets

Khan’s garage is smaller than those of some of his peers, and that fits the pattern: he spends on few things, and spends heavily on them. The best-documented cars, according to GQ India and Indian auto reporting, include a Mercedes-Benz S 680 Guard — the armoured S-Class, reported at over ₹10 crore — bought after he received threats during the making of Satyamev Jayate. Next to it sits a Bentley Continental Flying Spur, reported at ₹3.2–4.4 crore, carrying the distinctive “0007” number plate, a nod to James Bond. A Rolls-Royce Ghost, reported at ₹5.25–6.83 crore, is the third pillar of the collection, alongside a Range Rover Vogue, a Toyota Vellfire used for comfortable travel, and a BMW 7 Series reported to have been a gift from his former wife Kiran Rao.

Some reporting puts the total collection at more than 20 cars, and at least one roundup throws in a Bugatti Veyron at ₹12 crore — a claim that appears in low-quality aggregators and has no credible sourcing behind it, so it is not repeated here as fact. The cars that are solidly reported add up to roughly ₹25–30 crore of metal, which is a small slice of a $220 million fortune but a visible one. The armoured Mercedes is the telling purchase: it was bought for security, not show, after a television show about social problems brought threats. The garage reads like the man — restrained, practical where it counts, and willing to pay for protection.

Endorsements, Investments and the Paani Foundation

Endorsements are the smallest of Khan’s income streams, and that is a choice. Where Shah Rukh Khan and Salman Khan front dozens of brands, Aamir Khan has kept his list short for decades, and the scarcity keeps his price high: around $1.5 to $2 million per day of shooting, according to 2026 reporting. His longest association has been with Titan watches. He has also appeared for Coca-Cola, Samsung, Tata Sky and Snapdeal. The pattern is the same as his films — few, chosen carefully, and paid well.

On investments, the public record is thin, which is normal for a private individual. The most repeated claim is a reported investment in Furlenco, the Bengaluru furniture-rental startup, first reported around 2022. No figure is published, and it should be read as a reported holding rather than a confirmed one. He has not built a visible startup portfolio in the way some younger stars have, and he has never put his name on a consumer brand of his own. The money has stayed in films and property, the two things he understands best.

The Paani Foundation is the exception to the rule that his money stays in his own businesses. He co-founded it in 2016 with Kiran Rao to work on water scarcity in Maharashtra, running the Satyamev Jayate Water Cup, a competition between villages to build watershed structures. The foundation’s work is genuinely large-scale — thousands of villages have taken part — and it is the clearest expression of the public-service side of his image. It does not add to the net worth; it subtracts from it, in time and money. It is included here because any honest account of where his money goes has to include the part he gives away, and because the foundation is the reason his name carries weight in rooms far from a film set.

Net Worth Growth: Year by Year

The shape of that timeline is the story: slow growth on fees, a steep climb when the profit-sharing model met a run of record-breaking films, a flat stretch when the films stopped coming, and a recovery in 2025–26 as he returned to work. The range in the 2026 estimates — $210 million at the low end, $235 million at the high — is honest. It reflects real disagreement about what a private production company and its library are worth, and about how to convert a rupee fortune into dollars. Alux’s $220 million sits in the middle of that range and is the freshest dated valuation, from October 2026, which is why this article anchors on it.

Personal Life: Family, Marriages and Gauri Spratt

Khan’s personal life has been as closely watched as his films, and the last two years have rewritten it. He married Reena Dutta in 1986, before his debut, and they had two children: Junaid Khan and Ira Khan. The marriage ended in divorce in 2002. His son Junaid made his acting debut in 2024 in Maharaj, released on Netflix, and his daughter Ira has worked in theatre direction. In 2005 he married filmmaker Kiran Rao, who had been an assistant director on Lagaan. Their son Azad Rao Khan was born in 2011 through surrogacy. That marriage ended in 2021, in a joint statement that stressed they would continue to work together — and they did, co-founding and running the Paani Foundation through and after the split.

The newest chapter began in 2025, when Khan confirmed his relationship with Gauri Spratt, a Bengaluru-based entrepreneur. On July 5, 2026, the two married in a private registered ceremony at his residence in Bandra, Mumbai, according to Koimoi’s reporting of the day. Gauri’s own net worth is reported at ₹24–40 crore, according to Bollywood Shaadis, putting the couple’s combined wealth at roughly ₹1,886–1,902 crore, Koimoi calculated — about 98 percent of it his. The marriage made them one of the five richest Bollywood couples of 2026 by Koimoi’s ranking, and it closed a long period in which his personal life had been defined by the two divorces. In 2025 the couple were reported to have moved into a sea-facing apartment in Bandra valued at around ₹70 crore.

He is also, famously, a private man in a public profession. He does not attend most award ceremonies, rarely gives interviews, and keeps his children largely out of the press. His 61st birthday in March 2026 was marked quietly, with the marriage to Gauri the main news of the year. The restraint is part of the brand: a star who lets the work speak, and whose rare public appearances therefore carry weight.

Controversies and Setbacks

No honest profile skips the rough patches, and Khan has had several. In 2015, remarks he made about a sense of insecurity in the country drew a fierce backlash, including protests and calls to boycott his films; the episode followed him for years and is still raised by critics. PK (2014) drew protests from religious groups over its satire of organised religion, though the film went on to set box-office records. Laal Singh Chaddha (2022) faced organised boycott calls on social media before release, and its poor box-office performance was widely read as the moment the “perfectionist” aura cracked. He has also faced criticism for the long gaps between films, and for Thugs of Hindostan (2018), a big-budget flop that lost money for its producers and dented his record of near-unbroken success.

What is notable is how he responded. After Laal Singh Chaddha, he stepped back for three years rather than rushing into a corrective hit. He apologised publicly for the film’s failure, and he returned only when he had a project he believed in. Sitaare Zameen Par was not a record-breaker, but it was a hit, and it was made on his own terms — a film about disability and dignity rather than a safe commercial bet. The pattern is consistent across his career: when things go wrong, he goes quiet, waits, and comes back with work rather than words.

Aamir Khan vs Shah Rukh Khan vs Salman Khan

The comparison makes the point clearly. Aamir Khan is the least wealthy of the three Khans, and by a wide margin: Shah Rukh Khan’s cricket team and production empire put him past a billion dollars, and Salman Khan’s volume of work and brand deals keep him well ahead too. But Aamir’s fortune was built on the fewest films and the most selective career of the three. He made less money because he made fewer films — and he made fewer films because each one had to pass a filter the others do not apply. The trade-off is visible in the record books: he holds the all-time Indian box-office record with Dangal, a film neither of the other two has matched. Whether that trade was worth it depends on what you value. In money terms, no. In legacy terms, the argument is still open.

Frequently Asked Questions

Bottom Line

Aamir Khan’s net worth in 2026 is estimated at $220 million (about ₹1,862 crore), anchored by Alux’s October 2026 valuation, with an honest published range of $210–235 million. It is a fortune built on a model almost no other star uses: few films, chosen slowly, paid for with a share of the profits rather than a fee. That model produced the biggest Indian film of all time in Dangal, a production company worth over $100 million, and a library that still earns. It also produced three quiet years and two expensive flops when the choices went wrong.

The 2025 comeback with Sitaare Zameen Par and the 2026 marriage to Gauri Spratt give the story its current shape: a 61-year-old star, back at work, with a fortune that has stopped falling and started moving again. Whether the next film adds another record to the list is the open question — and, given the profit-sharing model, the answer will show up directly in the next net-worth estimate.

Sources and How We Estimated

How we estimated this: We anchored the figure to Alux’s October 2026 valuation of $220 million, cross-checked it against Koimoi and The Economic Times / The Times of India reporting of ₹1,862 crore, the Deccan Chronicle’s September 2026 ranking at ₹1,800 crore, and higher estimates of $235 million (₹1,950 crore) from other 2026 outlets. Because a private production company’s library has no public market price, we publish a range — $210–235 million (₹1,750–1,950 crore) — instead of a single false-precision number. Net worth figures for public personalities are estimates built from public reporting, not audited financial statements.

• Alux — Aamir Khan net worth, October 2026 ($220 million; ~$15 million annual income)
• Koimoi — Aamir Khan and Gauri Spratt combined net worth, July 2026 (₹1,862 crore; marriage July 5, 2026)
• Pinkvilla — Sitaare Zameen Par worldwide lifetime box office (₹268 crore)
• Sacnilk — Dangal worldwide gross (₹2,070.30 crore) and the 1,000-crore club
• MagicBricks — Aamir Khan house in Mumbai (Pali Hill, redevelopment, Wilnomona lease)
• Deccan Chronicle — Richest actors in India 2026 ranking (September 26, 2026; ₹1,800 crore)
• The Economic Times and The Times of India — reporting on the ₹1,862 crore estimate
• GQ India — car collection reporting (Rolls-Royce Ghost, Bentley Flying Spur, Mercedes S-Guard)

By Celebamerica Editorial Staff. Last updated: November 5, 2026.